Lenzi asked him whether the faithful should participate in singing the chant. Bartolucci distinguished between such chants as the Introit and the Offertory which require a "refined level of artistry", and such chants as the Missa de Angelis, the Te Deum, or the Litanies. Then he added this heartfelt observation:
And furthermore, Gregorian chant has been distorted by the rhythmic and aesthetic theories of the Benedictines of Solesmes. Gregorian chant was born in violent times, and it should be manly and strong, and not like the sweet and comforting adaptations of our own day.No offence intended to the brothers or sisters of the Solesmes congregation but I like the sound of that. Manly and violent chant, eh? Come on Clapham Park if you think you're hard enough!
1 comment:
'Unam, Sanctam, Catholicam, et Apostolicam Ecclesiam', Credo III chant, walloped out by slightly drunken non-RP English people (if you're English, read 'Scottish') - that can easily sound threatening!
Way harsh on Solemnes, though. Virility and sweetness aren't mutually incompatible anyway - musically speaking at any rate, and quite possibly in general.
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