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Chant course at Santa Cecilia in Trastevere

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At the basilica of Santa Cecilia in Trastevere, the tradition of Gregorian Chant has been kept alive over the past decades by the community of Benedictine nuns. There is now an initiative called " Cantantibus Organis " to help others to learn more about the chant. Each Sunday, from 9.30am, there will be a half-hour practice of the chants to be used in that day's Mass (ordinary form). After the Masses, during Advent, there will be the following lectures from 11.15am-12noon: 1) "The Introits of the Sundays in Advent" Luigi Pastoressa, choirmaster and organist at Santa Cecilia. 2) "The ‘sound’ of the Word: Gregorian chant in the liturgy." Dr Jordi-Augustí Pique OSB, from the monastery at Montserrat and director of the Escolania de Montserrat, the oldest surviving music school in Europe, is at Sant' Anselmo this term. He was the organist when Pope Benedict visited Montecassino on 24 May. 3) "Introduction to Liturgical Spirituality" Monsigno...

"strange and alien teachings"

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On his blog Tidbits , Bishop Medroso from the Philippines has a thoughtful and interesting article called The People of God, the Liturgy and the Religious Artists . He looks at the question of modern architecture and its theological basis. He quotes H Reed Armstrong: If man already lives an "engraced" existence naturally, and the sacramental union with Christ is ontologically superfluous, a mere symbol of entrance into a "faith community," then the altar rail (iconostasis, the rood screen) that separates the natural world of the faithful and the supernatural world of the Divine mysteries must go. As Christ is already present in the community, the sacramental presence of Our Lord in the tabernacle is now superfluous and can therefore be removed from the sanctuary precinct. With the traditional concept of the Mystical Body obscured, the images of saints and holy mysteries, a tradition going back to the catacombs, are removed in favor of a single figure of the "Ri...

Fr Lang on new sacred art programme

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Zenit has news of a new master's program in architecture, sacred arts and liturgy at the European University of Rome of which Fr Uwe Michael Lang is one of the directors. (Cf. Master's Program Aims to Halt Art Crisis ). Fr Lang commented on the crisis in sacred art: ... a crisis of the deepest roots, a crisis that has swept away, even before art, beauty itself, of which it should be the bearer. The very concept of 'fine arts,' of which the conciliar Constitution on Sacred Liturgy speaks, is debated. Following Hans Urs von Balthasar, he also stressed that Together with the loss of the beautiful, the good and the true have also been lost.

Continuity: hermeneutic meets architecture

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Norumbega is "an online feuilleton and news portal collected from a traditionalist perspective" (see here for an explanation of "Norumbega" and "Feuilleton" ). Edited by Andrew Cusack, the heart of the publication is a series of readable, thought-provoking articles which will sometimes be controversial - but because they are original and intelligent, not simply because they set out to "shock". Andrew Cusack sent me notice of a recent article: An Architecture of Continuity which looks at the Universidad Laboral, constructed from 1946 in Franco's Spain to provide a second level institution to teach vocational and technical skills, supported by communities of the Jesuits and the Poor Clares. of the architecture, Cusack comments: The Universidad Laboral presents us with an architecture that is a continuation of history, rather than a rejection of history. Its components exhibit a classical symmetry but, like the human body itself, are arranged...

Views of Bruges

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A few weeks ago, I went for a couple of days to Bruges. It is easy for me to get to: an hour or so to Dover, lunch on the ferry, an hour's drive to Bruges. You can cut half an hour or so by using the Channel Tunnel. The train is not a good idea - from Brussells it is another hour to Bruges. (If you look at the map, you can see that you are going back on yourself.) Bruges is one of the most photogenic cities in Europe. Here are a few of my efforts. First a classic view of the Church of Our Lady across the Minnewater: One of the little bridges over the canals: The end of the Minnewater with the bridge to the Beguinehof on the left: Some typical Bruges houses along the canal: The central part of the City is illuminated at night offering the opportunity for photos with reflections in the canal. The tower of the Markt is in the centre here:

Piranesi exhibition

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Matthew at the Shrine of the Holy Whapping has an excellent post on the 18th century Venetian engraver, Giambattista Piranesi. As a student in Rome, I often came across reproductions of Piranesi's engravings and will now see if my next visit to the eternal City can take in a visit to Santa Maria del Priorato. See the post The Genius of Piranesi which reviews an exhibition running until 20 January at the Cooper Hewitt National Design Museum in New York, entitled Piranesi as Designer .

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